An award winning lighting designer, photographer, writer and performer, Itai is the founder of The Elbow Theatre in Vancouver, for whom he co-wrote and performed in Soldiers of Tomorrow, Hyperlink, This Is Not A Conversation and A Very Narrow Bridge.
Itai has designed over 350 shows for theatre, dance and opera companies in 44 cities around the world. Some of the companies he worked with include: Arts Club Theatre (16 shows), The Stratford Festival (11 shows), New Victory (Off Broadway), The Vancouver Opera, Vancouver Playhouse, Bard on the Beach, The Electric Company, National Arts Centre, Soulpepper, Tarragon, Factory, The Citadel, MTC, The Segal Centre, The Jerusalem Lab, Haifa Theatre, Tamasha, Box Clever and Teatro Villa Velha in Salvador, Brazil.
He worked with such choreographers as: Crystal Pite, Nigel Charnock, Noam Gagnon, Robert Hylton, Serge Bennathan, Kate Alton, Chick Snipper, Noa Dar, Susan Elliot, Idan Cohen and Toru Shimazaki.
Itai has won six Jessie Richardson Awards, a Dora Mavor Moore Award, a Winnipeg Theatre Award, the Jack King Award, a Guthrie Award, Victoria’s Spotlight Choice Award and the Design Award at the 2008 Dublin Fringe Festival. He was shortlisted to the Siminovitch Prize in 2018 and 2024.
Itai’s first one-man show: How to Disappear Completely (The Chop, directed by James Long), premiered in 2011 and had 25 remounts in 21 cities. It won the best director award at the Summerworks Festival in Toronto, and was shortlisted to the Dublin Fringe Award, the Brighton Fringe Award and the Total Theatre Award at the 2014 Edinburgh Fringe Festival.
Soldiers of Tomorrow received Summerhall’s Lustrum Award and was nominated to an Offfest Award at the 2023 Edinburgh Fringe Festival.
Click below to watch a 5 minute reel and Siminovitch Prize videos
Awards
Summerhall’s Lustrum Award for writing and performing Soldiers of Tomorrow (The Elbow) – 2023
Jessie Richardson Award for lighting The Father (Search Party Productions) – 2020
Winnipeg Theatre Award for Design for lighting Red Earth (One Trunk Theatre) – 2019
Jessie Richardson Award for lighting The Curious Incident of the Dog… (Arts Club Theatre) – 2019
Shortlisted to the Siminovitch Prize for Design – 2018
Jessie Richardson Award for lighting O’wet / Lost Lagoon (Alley Theatre) – 2017
How To Disappear Completely shortlisted for Best Production at the Dublin Fringe Festival – 2014
How To Disappear Completely shortlisted for the Total Theatre Award at the Edinburgh Fringe Festival – 2014
How To Disappear Completely shortlisted for the Brighton Fringe Award at the Edinburgh Fringe Festival – 2014
How To Disappear Completely won Best Director Award (James Long) at the Summerworks Festival – 2013
Stratford Festival’s Guthrie Award – 2013
How To Disappear Completely nominated for a Dora Mavor Moore Award for best touring production – 2013
Victoria’s Critics’ Choice Spotlight Award for lighting The Life Inside (Belfry) – 2012
Jessie Richardson Award for lighting Jesus Hopped the A Train (Glass City) – 2011
Elizabeth Sterling Haynes Award nomination for lighting Sweeney Todd (Citadel) – 2010
The Dublin Fringe Design Award for 4 Horseman Project (Volcano Production) – 2009
Jessie Richardson Award for lighting Life Savers (Ruby Slippers) – 2009
Dora Mavor Moore Award for 4 Horseman Project (Volcano Production) – 2007
Dora Mavor Moore Award nomination for set design for 36 Views (Actors Repertory Company) – 2007
Dora Mavor Moore Award nomination for lighting design for 36 Views (Actors Repertory Company) – 2007
Associated Designers of Canada’s Jack King Award For Design – 2005
Jessie Richardson Award for most promising newcomer – 2003
25 Jessie Richardson Award nominations for lighting design
Lighting Design Resume
The Mousetrap for Arts Club Theatre, Directed by Stephen Drover, Granville Island Stage – 06.2025
West Side Story for CTORA Theatre, Directed by Chris Adams, Granville Island Stage – 05.2025
Season Finale for Arts Umbrella Dance, Directed by Artemis Gordon, Vancouver Playhouse – 05.2025
Dance Nation for Search Party Productions, Directed by Mindy Parfit, York Theatre – 04.2025
Beauty and the Beat: My Life for Niall McNeal Productions, Directed by Niall McNeal, Cultch Historic – 04.2025
How to Disappear Completely for Chop Theatre, Directed by James Long, Cultch Historic – 03.2025
Cambodian Rock Band for Arts Club Theatre, Directed by Jiv Parasaram, Stanley Theatre – 03.2025
Spring Showing for Arts Umbrella Dance, Directed by Artemis Gordon, Vancouver Playhouse – 02.2025
Primary Trust for Arts Club Theatre, Directed by Ashlie Corcoran, Granville Island Stage – 02.2025
Fire and Ice for Lumiere Festival, Directed by Ana Valine, Jim Deva Square – 11.2024
The Prop Master’s Dream for Vancouver Cantonese Opera, Directed by Rosa Cheng, Vancouver Playhouse – 011.2024
Super Seniors for Western Gold, Directed by Anita Rochon, PAL Theatre – 06.2024
Season Finale for Arts Umbrella Dance, Directed by Artemis Gordon, Vancouver Playhouse – 05.2024
Carmen for Vancouver Opera, Directed by Rachel Peake, Queen Elizabeth Theatre - 04.2024
Marriage of Figaro for Pacific Opera, Directed by Morris Panich, Royal Theatre (Victoria) - 04.2024
Parade for Raincity Theatre, Directed by Chris Adams - 03.2024
Spring Showing for Arts Umbrella Dance, Directed by Artemis Gordon, Vancouver Playhouse – 03.2024
Every Brilliant Thing for Arts Club Theatre, Directed by Ashlie Corcoran, Newmont Stage at the BMO Theatre Centre – 02.2024
Blood Wedding for Studio 58, Directed by Carmen Aguirre - 11.2023
Elf for Arts Club Theatre, Directed by Stephen Drover, Stanley Theatre – 10.2023
Million Dollar Quartet for Arts Club Theatre, Directed by Bobby Garcia, Granville Island Stage – 06.2023
Season Finale for Arts Umbrella Dance, Directed by Artemis Gordon, Vancouver Playhouse – 05.2023
Utszan – Ruby Slippers, Directed by Marisa Smith, Cultch Lab – 05.2023
Stupid Fucking Bird for Search Party Productions, Directed by Mindy Parfit, Cultch Historic – 04.2023
Spring Showing for Arts Umbrella Dance, Directed by Artemis Gordon, Vancouver Playhouse – 03.2023
Sense and Sensibility for Arts Club Theatre, Directed by Rachel Peake, Stanley Theatre – 03.2023
Le Soulier for Theatre Le Seizieme, Directed by Esther Duquette and Gilles Poulin-Denis, Cercle Molière (Winnipeg) – 01.2023
The Three Little Pigs for Carouse Theatre, Directed by Chris Lam, Waterfront Theatre – 12.2022
Courage Now for Firehall Arts Centre, Directed by Ami Gladstone – 11.2022
The Sound of Music for Arts Club Theatre, Directed by Ashlie Corcoran, Stanley Theatre – 11.2022
The Ridge – The Fugitives, Directed by Brendan McLeod, Waterfront Theatre – 10.2022
Best Life - Theatre Replacement, Directed by Maiko Yamamoto, Shadbolt Studio – 10.2022
Take This Waltz for Ne Sans Opera, Directed by Idan Cohen, Norman Rothstein Theatre – 09.2022
La Mitchin di Mitchif for V'ni Dansi Louis Riel Métis Dancers, Choreographed by Yvonne Chartand, Dance Centre, 06.2022
Season Finale for Arts Umbrella Dance, Directed by Artemis Gordon, Vancouver Playhouse – 05.2022
da Kink in my Hair for Arts Club Theatre, Directed by Ray Hogg, Stanley Theatre – 04.2022
Wilt Thou Go for Shot of Scotch Dance, Choreographed by Susan Nase, Dance Centre – 04.2022
Bunny for Search Party Productions, Directed by Mindy Parfit, Cultch Lab – 03.2022
Ominous Sounds at the River Crossing for Touchstone Theatre, Directed by Roy Surette, Performance Works – 03.2022
TBH for Capilano University, Directed by Stephen Atkins, BlueShore Centre – 02.2022
The Rocky Horror Show for Studio 58, Directed by Josh Epstein – 01.2022
Orfeo ed Eurydice for Vancouver Opera, Directed by Idan Cohen, Queen Elizabeth Theatre – 12.2021
Serving Elizabeth for Belfry Theatre, Directed by Nigel Sean Williams, Belfry Theatre (Victoria) – 11.2021
Copenhagen for National Arts Centre, Directed by Jillian Keily, Babs Asper Theatre @ NAC (Ottawa) – 10.2021
Footnote #12 for Theatre Replacement and Spreafico/Eckly, Directed by Andreas Spreafico, Shadbolt Studio Theatre – 04.2021
The Amaryllis for Search Party Productions, Directed by Mindy Parfit, Firehall Arts Centre – 11.2020
Bouffoon for Arts Club Theatre, Directed by Lois Anderson, Granville Island Stage – 10.2020
This Crazy Show for Vision Impure, Choreography by Noam Gagnon, Cultch Historic Theatre – 07.2020
B for Rumble Productions, Directed by Jiv Parasram, Progress Lab – 05.2020
Copenhagen for National Arts Centre, Directed by Jillian Keily, Babs Asper Theatre @ NAC (Ottawa) – 03.2020
Anywhere but Here for The Electric Company, Directed by Juliette Carrillo, Vancouver Playhouse – 02.2020
Footnote #12 for Theatre Replacement and Spreafico/Eckly @Push Festival, Directed by Andreas Spreafico, Performance Works – 01.2020
Skyborn for Savage Society, Directed by Kim Harvey, Cultch Historic Theatre – 01.2020
The Father for Search Party Productions, Directed by Mindy Parfit, Cultch Lab – 11.2019
The Sound of Music for Arts Club Theatre, Directed by Ashlie Corcoran, Stanley Theatre – 11.2019
The Shipment for Speakeasy Productions, Directed by Omari Newton and Kayvon Koshkam, Presentation House Theatre – 10.2019
The Shipment for Speakeasy Productions, Directed by Omari Newton and Kayvon Koshkam, Firehall Arts Centre – 09.2019
Footnote #12 for Theatre Replacement and Spreafico/Eckly, Directed by Andreas Spreafico, Rosendal Teater, (Bergen, Norway) – 07.2019
Zastrozzi for Star and Moon Productions, Directed by Jennifer Copping, Cultch Lab – 06.2019
Red Earth for Manitoba Theatre Project, Directed by Andraea Sartison, Prairie Theatre Exchange (Winnipeg) – 05.2019
Wedding at Aulis for Soulpepper Theatre, Directed by Alan Dilworth, Tank House Theatre @ Young Centre (Toronto) – 03.2019
Le Soulier for Theatre Le Seizieme, Directed by Esther Duquette and Gilles Poulin-Denis, Studio 16 – 02.2019
Cabaret for Studio 58, Directed by Josh Epstein – 01.2019
How to Disappear Completely for Chop Theatre @ High Performance Rodeo, Directed by James Long, Engineered Air Theatre (Calgary) – 01.2019
Elf for Western Canada Theatre, Directed by Tracey Power, Sagebrush Theatre (Kamloops) – 12.2018
How to Disappear Completely for Chop Theatre, Directed by James Long, Khan Theatre (Jerusalem) – 11.2018
How to Disappear Completely for Chop Theatre, Directed by James Long, Tmu-na Theatre (Tel Aviv) – 10.2018
Dani and the Deep Blue Sea for Athletes of the Soul Collective, Directed by Jay Brazeau, Studio 16 – 09.2018
The Curious Incident of the Dog in the Nighttime for Arts Club Theatre, Directed by Ashlie Corcoran, Stanley Theatre – 08.2018
Wing Night at the Boot for Blyth Festival, Directed by Sevren Thompson, Harvest Stage, (Blyth, ON) – 07.2018
Pathetic Fallacy for Chop Theatre, Directed by Anita Rochon, Progress Lab – 06.2018
Off Centre for 12 Minutes Max, Choreography by Sujit Vaidya, The Dance Centre, – 06.2018
Requien for a Lost Girl for Vancouver Opera, Directed by Onalea Gilbertson, Composed by Marcel Bergman, Fay and Milton Wong Theatre – 05.2018
I and You for the Globe Theatre, Directed by Kelli Fox, Globe Theatre (Regina) – 04.2018
A Short History of Crazy Bone for Theatre Projects Manitoba, Directed by Andraea Sartison, Théâtre Cercle Molière (Winnipeg) – 03.2018
In the Skin of Our Teeth for Studio 58, Directed by Sarah Rodgers – 02.2018
How to Disappear Completely for Chop Theatre @ Undercurrents Festival, Directed by James Long, Art Court (Ottawa) – 02.2018
Topdog / Underdog for the Arts Club Theatre, Directed by Dean Paul Gibson, Newmont Stage at the BMO Theatre Centre – 01.2018
A Christmas Carol for Gateway Theatre, Directed by Rachel Peake, Gateway Mainstage – 12.2017
The Day Before Christmas for Arts Club Theatre, Directed by Chelsea Haberlin, Newmont Stage at the BMO Theatre Centre – 12.2017
Straight Jacket Winter, Directed by Gilles Poulin Denis and Esther Duquette, La Licorne (Montreal) – 12.2017
The Shipment for Speakeasy Productions, Directed by Omari Newton and Kayvon Koshkam, Cultch Lab – 11.2017
Unité Modèle for Theatre Le Seizieme, Directed by Phillip Cyr, Studio 16 – 11.2017
Hyperlink for The Elbow Theatre, Directed by Rachel Peake, Firehall Arts Centre – 10.2017
The Christians for Pacific Theatre, Directed by Sarah Rodgers, Pacific Theatre – 9.2017
The Komagata Maru Incident for the Stratford Festival, Directed by Keira Laughren, Stratford Studio Theatre (Stratford, ON) – 08.2017
The Breathing Hole for the Stratford Festival, Directed by Reneltta Arluk, Stratford Studio Theatre (Stratford, ON) – 07.2017
20,000 Leagues Under the Sea for Kidoons, Directed by Rick Miller, Asolo Theatre (Sarasota, Florida) – 06.2017
Million Dollar Quartet for Segal Centre, Directed by Lisa Rubin, Place des Arts (Montreal) – 06.2017
How to Disappear Completely for Chop Theatre, Directed by James Long, Segal Centre (Montreal) – 05.2017
Million Dollar Quartet for Segal Centre, Directed by Lisa Rubin, Segal Centre (Montreal) – 05.2017
How to Disappear Completely for Chop Theatre, Directed by James Long, Winnipeg Jewish Theatre (Winnipeg) – 04.2017
This Is Not A Conversation for The Elbow Theatre, Directed by Ker Wells, Belfry Studio Theatre (Victoria) – 03.2017
Moonlodge for Urban Ink Productions, Directed by Corey Payette, Newmont Stage at the BMO Theatre Centre – 02.2017
The Fighting Season for Hardline Productions, Directed by Evan Frayne, Cultch Lab – 01.2017
The Day Before Christmas for Arts Club Theatre, Directed by Chelsea Haberlin, Newmont Stage at the BMO Theatre Centre – 12.2016
Eagle Spirit for V’ni Dansi, Choreographed by Yvonne Chartrand, The Dance Centre – 11.2016
Miss Shakespeare for Firehall, Directed by James McDonald, Firehall Arts Centre – 11.2016
Straight Jacket Winter for 2Par4 & Theatre Le Seizieme, Directed by Gilles Poulin-Denis and Esther Duquette, Studio 16 – 10.2016
Walt Whitman’s Secret for The Frank Theatre, Directed by John Patterson, Presentation House Theatre – 10.2016
20,000 Leagues Under the Sea for Kidoons, Directed by Rick Miller, New Victory Theatre (New York) – 09.2016
The Aeneid for the Stratford Festival, Directed by Keira Loughran, Stratford Studio Theatre (Stratford, ON) – 07.2016
O’wet / Lost Lagoon for Alley Theatre, Directed by Marissa Smith, Cultch Historic Theatre – 06.2016
Straight Jacket Winter for 2Par4, Directed by G Poulin-Denis and Esther Duquette, Carrefour Festival (Quebec City) – 05.2016
Bad Jews for Segal Centre, Directed by Lisa Rubin, Segal Centre Studio Theatre (Montreal) – 05.2016
The Valley for the Arts Club Theatre, Directed by Mindi Parfit, Granville Island Stage – 04.2016
A Very Narrow Bridge for The Elbow Theatre, Directed by Anita Rochon and Maiko Yamamoto, Chutpah Fesitval, JCC – 03.2016
The Valley for the Belfry Theatre, Directed by Roy Surette, Belfry Theatre (Victoria) – 02.2016
Sherlock Holmes for Starvox Entertainment, Directed by Andrew Shaver, Warren Theatre (Washington, DC) – 12.2015
Flee for Elbow Theatre and The Electric Company, Directed by Jonathon Young, Fox Cabaret – 11.2015
Sherlock Holmes for Starvox Entertainment, Directed by Andrew Shaver, Oriental Theatre (Chicago) – 12.2015
Sherlock Holmes for Starvox Entertainment, Directed by Andrew Shaver, Ed Mirvish Theatre (Toronto) – 10.2015
Air India for Turning Point Ensemble, Directed by Tom Creed, Composed by Jürgen Simpson, Fay and Milton Wong Theatre – 10.2015
Sherlock Holmes for Starvox Entertainment, Directed by Andrew Shaver, Montalban Theatre (L.A.) – 10.2015
Love Bomb for Shameless Hussy Productions, Directed by Renne Iaci, Firehall Arts Centre – 9.2015
20,000 Leagues Under the Sea, for WYRD Productions, Directed by Rick Miller, Ada Slaight Hall, Daniels Spectrum (Toronto) – 07.2015
How to Disappear Completely for Chop Theatre, Directed by James Long, Colchester Arts Centre, (Colchester, UK) – 05.2015
How to Disappear Completely for Chop Theatre, Directed by James Long, WJ3 Main Space (London, UK) – 05.2015
How to Disappear Completely for Chop Theatre @ Mayfest, Directed by James Long, Old Vic Theatre (Bristol, UK) – 05.2015
Inside Out for Main Street Theatre, Directed by Stephen Malloy, Little Mountain Studio – 04.2015
How to Disappear Completely for Chop Theatre, Directed by James Long, Usine-C (Montreal) – 03.2015
How to Disappear Completely for Chop Theatre, Directed by James Long, Lowry Theatre (Manchester, UK) – 03.2015
How to Disappear Completely for Chop Theatre, Directed by James Long, Old Market Theatre (Brighton, UK) – 03.2015
How to Disappear Completely for Chop Theatre, Directed by James Long, Belfry Theatre (Victoria) – 02.2015
How to Disappear Completely for Chop Theatre, Directed by James Long, Gateway Studio Theatre – 12.2014
4 Horseman Project for Volcano Productions, Directed by Ross Manson and Kate Alton, Michael Young Theatre (Toronto) – 11.2014
4 Horseman Project for Volcano Productions, Directed by Ross Manson and Kate Alton, Cultch Historic Stage – 11.2014
Stickboy for Vancouver Opera, Directed by Rachel Peake, Vancouver Playhouse – 10.2014
Blue Box for Nightswimming, Directed by Brian Quirt, Arts Club Review Stage – 10.2014
Cosmic Mambo for Studio 58, Directed by David McKay and Wendy Gorling – 10.2014
How to Disappear Completely for Chop Theatre, Directed by James Long, Peacock Theatre (Dublin, Ireland) – 09.2014
How to Disappear Completely for Chop Theatre, Directed by James Long, Battersea Arts Centre (London) – 09.2014
How to Disappear Completely for Chop Theatre @ Edinburgh Fringe Festival, Directed by James Long – 08.2014
Lamondance End of Year Show, Choreographed by Monica Proenca, Scotia Bank Dance Centre – 06.2014
Mother Courage for the Stratford Festival, Directed by Martha Henry, Tom Paterson Theatre (Stratford, ON) – 05.2014
Blue Box for Nightswimming, Directed by Brian Quirt, LSPU Hall (St. John’s, NFL) – 03.201
What Makes A Man for Necessary Angel, Directed by Jennifer Tarver, Lower Ossington Theatre (Toronto) – 03.2014
Hirsch for the Firehall Arts Centre, Directed by Paul Thompson, Firehall Arts Centre – 02.2014
How to Disappear Completely for Chop Theatre, Directed by James Long, Bus Stop (Halifax) – 02.2014
How to Disappear Completely for Chop Theatre, Directed by James Long, Yukon Art Centre (Whitehorse) – 01.2014
Sandra, Manon & The Virgin Mary for Pleiades Theatre, Directed by John Van Burek, Buddies in Bad Times Theatre (Toronto) – 01.2014
East Van Panto for Theatre Replacement, Directed by Amiel Gladstone, The York Theatre – 12.2013
Hirsch for Manitoba Theatre Centre, Directed by Paul Thompson, MTC Warehouse (Winnipeg) – 11.2013
The Best Brothers for Tarragon Theatre, Directed by Dean Gabourie, Tarragon Mainstage (Toronto) – 09.2013
How to Disappear Completely for Chop Theatre @ TBA Festival, Directed by James Long, Imago Theatre (Portland) – 09.2013
The Thrill for Stratford Festival, Directed by Dean Gabourie, Stratford Studio Theatre (Stratford, ON) – 08.2013
Taking Shakespeare for Stratford Festival, Directed by Diana Leblanc, Stratford Studio Theatre (Stratford, ON) – 08.2013
How to Disappear Completely for Chop Theatre @ Summerworks Festival, Directed by James Long, Factory Theatre (Toronto) – 07.2013
How to Disappear Completely for Chop Theatre @ Stratford Forum, Directed by James Long, Stratford Studio Theatre (Stratford, ON) – 07.2013
The Matchmaker of Montreal for Firehall Arts Centre, Directed by Sarah Phillips, Firehall Arts Centre – 06.2013
How to Disappear Completely for Chop Theatre @ Uno Festival, Directed by James Long, Metro theatre (Victoria) – 05.2013
El Jinete for Puente Theatre, Directed by Mercedes Bátiz-Benét, Metro theatre (Victoria) – 04.2013
Three Sisters for Only Child Co-Op, Directed by Jane Hyman, Cultch Lab – 04.2013
How to Disappear Completely for Chop Theatre, Directed by James Long, On the Boards (Seattle) – 03.2013
Broken Sex Doll for The Virtual Stage, Directed by Andy Thompson, Cultch Historic Stage – 03.2013
Harvest for The Gateway Theatre, Directed by Jovanni Sy, Gateway Studio – 03.2013
Sisters for The Gateway Theatre, Directed by Simon Johnston, Gateway Mainstage – 02.2013
Blue Box for Nightswimming, Directed by Brian Quirt, Great Canadian Theatre Company (Ottawa) – 01.2013
Save More for Theatre Conspiracy, Directed by Tim Carlson, Progress Lab – 12.2012
Play with Monsters for Solo Collective, Directed by Rachel Peake, Performance Works – 11.2012
She Stoops to Conquer for the Arts Club Theatre, Directed by Dean Paul Gibson, Stanley Theatre – 10.2012
White Rabbit / Red Rabbit for The Elbow Theatre and VECC, Cultch Lab – 09.2012
Elektra for the Stratford Festival, Directed by Thomas Moschopoulus, Tom Paterson Theatre (Stratford, ON) – 08.2012
The Best Brothers for the Stratford Festival, Directed by Dean Gabourie, Stratford Studio Theatre (Stratford, ON) – 07.2012
Hirsch for the Stratford Festival, Directed by Paul Thompson, Stratford Studio Theatre (Stratford, ON) – 07.2012
Blue Box for Nightswimming, Directed by Brian Quirt, Theatre Passe Muraille (Toronto) - 05.2012
How to Disappear Completely for Chop Theatre, Directed by James Long, Factory Theatre (Toronto) – 05.2012
Blue Box for Nightswimming, Directed by Brian Quirt, Cultch Historic Stage - 05.2012
The Last Days of Judas Iscariot for Rumble Productions, Directed by Steven Drover, Cultch Historic Stage – 04.2012
Fresco for Bella Luna, Directed by Lois Anderson, Shadbolt Centre for the Arts – 04.2012
Fresco for Bella Luna Directed by Lois Anderson, Cultch Historic Stage – 04.2012
Huck for Classical Theatre Project, Directed by Charles Roy, St. Michael’s College (Toronto) – 03.2012
How to Disappear Completely for Chop Theatre, Directed by James Long, Shadbolt Centre for the Arts – 02.2012
Intimate Apparel for the Arts Club Theatre, Directed by John Cooper, Granville Island Stage – 02.2012
The Idiot for Neworld Theatre & PuSH Festival, Directed by James Fagan Tait, Freddy Wood Theatre, UBC – 01.2012
After Jerusalem for Solo Collective, Directed by Rachel Peake, Performance Works – 11.2011
Falling in Time for Screaming Wheeny Productions, Directed by Sean Cummings, Performance Works – 11.20111
50 Words for Mitch and Murray Productions, Directed by John Murphy, Cultch Lab – 10.2011
Huck for Classical Theatre Project, Directed by Charles Roy, Lower Ossington Theatre (Toronto) – 10.2011
The Crucible for Studio 58, Directed by Jane Hyman – 09.2011
Time for the Good Looking Boy for Box Clever Theatre, Directed by Iqbal Khan, Pleasence Theatre (Edinburgh) – 08.2011
Titus Andronicus for the Stratford Festival, Directed by Darko Tresnjak, Tom Paterson Theatre (Stratford ON) – 07.2011
Dress Me Up with Your Love for Theatre Replacement, Directed by Maiko Bae Yamamoto and Anita Rochon, Cultch Historic – 05.2011
Beautiful Problems for Radix Theatre, Directed by Paul Ternes, Roundhouse Arts Centre – 04.2011
Rick for MTYP @ Citadel Theatre, Directed by Robb Paterson, Shoctor Theatre (Edmonton) – 04.2011
An Almost Perfect Thing for Workshop West Theatre, Directed by Michael Clark, La Cite Francophone (Edmonton) – 03.2011
Jesus Hopped the A Train for Glass City Theatre , Directed by Angela Conrad, Pacific Theatre – 03.2011
How to Disappear Completely for Chop Theatre, Directed by James Long, Chutpah Festival – 02.2011
Comedy of Errors for Studio 58, Directed by Scott Bellis – 01.2011
The Life Inside for the Belfry, Directed by James Fagan Tait, Beflry Theatre (Victoria) – 11.2010
After the Quake for Rumble & Pi Theatre, Directed by Craig Hall & Richard Wolfe, Cultch Historic – 10.2010
The Dali Universe for Vancouver City Ballet, Choreographed by Roberta Baseggio, Vancouver Playhouse – 09.2010
Billy Bishop Goes to War for the Belfry, Directed by Sarah Rodgers, Beflry Theatre (Victoria) – 07.2010
Godspell for Pacific Theatre, Directed by Sarah Rodgers – 05.2010
The Labyrinth Project for Vancouver Moving Theatre, Directed by Varrick Grimes, Russian Hall – 04.2010
10 Things You’ll Hate About Me for Co. Vision Selective, Choreographed by Noam Gagnon, Cultch Historic – 04.2010
Billy Bishop Goes to War for the Arts Club Theatre, Directed by Sarah Rodgers, Granville Island Stage – 03.2010
Rick for MTYP, Directed by Robb Paterson, Manitoba Theatre for Young People (Winnipeg) – 03.2010
Rick for MTYP @ Arts Club Theatre, Directed by Robb Paterson, Granville Island Stage – 02.2010
Sweeney Todd for Citadel Theatre, Directed by Bob Baker, McLab Theatre, (Edmonton) – 02.2010
Where the Blood Mixes for the Belfry, Directed by Glynis Leyshon, Belfry Theatre (Victoria) – 01.2010
After the Quake for Rumble & Pi Theatre, Directed by Craig Hall & Richard Wolfe, Studio 16 – 12.2009
Time for the Good Looking Boy for Box Clever Theatre, Directed by Iqbal Khan, Unicorn Theatre (London) – 11.2009
Lot’s Wife for Studio 58, Directed by James Fagan Tait – 10.2009
Refugee Hotel for Alameda Theatre, Directed by Carmen Aguirre, Theatre Passe Muraille (Toronto) – 09.2009
La Vision Impure for Co. Vision Selective, Choreography by Noam Gagnon, Cultch Historic – 08.2009
4 Horseman Project for Volcano Productions, Directed by Ross Manson, Kesselhaus (Berlin) – 07.2009
Nanay For HAU1, Directed by Alex Ferguson and Caleb Johnston, Habel Am Uffer (Berlin) – 06.2009
Fat Pig for Mitch and Murray Productions, Direct by Michael Scholar Junior, Performance Works – 05.2009
Diva Project for Open Ears Festival, Directed by Bob Pritchard, Registry Thetre (Kitchener) – 04.2009
The Secret World of Og for Carouse Theatre, Directed by Carol Higgins, Waterfront Theatre – 04.2009
Life Savers for Ruby Slippers, Directed by Diane Brown, Performance Works – 04.2009
News of the World for Felix Culpa, Directed by Alex Ferguson and David Bloom, Video In – 03.2009
Wuthering Heights for Tamasha Theatre, Directed by Kirsten Landon-Smith, Lyric Hammersmith (London) – 03.2009
Rick for MTYP, Directed by Robb Paterson, Manitoba Theatre for Young People (Winnipeg) – 02.2009
Fly Fisher’s Companion for PTE, Directed by Linda Moore, Prairie Theatre Exchange (Winnipeg) – 02.2009
Shakuntala for Pleiades Theatre, Directed by Charles Roy, Harbourfront Centre (Toronto) – 01.2009
Seussical The Musical for Carousel Theatre, Directed by Carol Higgins, Waterfront Theatre – 11.2008
Having Hope at Home for Cehmainus, Directed by Nicola Cavandish, Cehmainus Theater Festival – 10.2008
Sixteen Up for Box Clever Theatre, Directed by Iqbal Khan, Weston Theatre (London) – 10.2008
My Three Sisters for Theatre SKAM, Directed by Ami Gladstone, Metro Theatre (Victoria) – 09.2008
Ash Girl for Studio 58, Directed by Sarah Rodgers – 09.2008
Why I fish for Haig-Brown Productions, Directed by Ami Gladstone, Evergreen Theatre (Powell River) – 08.2008
Explosion Africaine for Festival Vancouver, directed by Sal Ferreras, The Chan Centre – 08.2008
Lunar Rouge for The Tomorrow Collective, Choreography by Chick Sniper, Firehall Arts Centre – 07.2008
Where the Blood Mixes for Vancouver Playhouse, Directed by Glynis Leyshon, Factory Theatre (Toronto) – 06.2008
Where the Blood Mixes for Vancouver Playhouse, Directed by Glynis Leyshon, Roundhouse – 06.2008
Goh Ballet’s 30th Anniversary Show for Goh Ballet, Choreography by Toru Shimazaki, Ford Centre - 05.2008
The View From Above for Ruby Slippers, Directed by Diane Brown, Performance Works – 05.2008
Lie with Me for Teatro Villa Velha, Choreography by Shannon Moreno, Teatro Villa Velha (Salvador, Brazil) – 04.2008
The Hobbit for Carousel Theatre, Directed by Carol Higgins, Waterfront Theatre – 04.2008
Island of Bliss for Western Canada Theatre, Directed by Sarah Rodgers, Sagebrush Theatre (Kamloops) – 03.2008
Assembly for Raddix Theatre, Directed by Paul Ternes, Theatre La Chapelle (Montreal) – 02.2008
Where the Blood Mixes for Vancouver Playhouse, Directed by Glynis Leyshon, Western Canada Studio Theatre (Kamloops) – 02.2008
My Name is Rachel Corrie for Neworld Theatre, Directed by Sarah Stanley and Marcus Youssef, Havana Theatre – 01.2008
4 Horseman Project for Volcano Productions, Directed by Ross Manson, Cultch Historic – 01.2008
4 Horseman Project for Volcano Productions, Directed by Ross Manson, Metro Theatre (Victoria) – 01.2008
My Name is Rachel Corrie for Neworld & Teesri Dunya, Directed by Sarah Stanley and Marcus Youssef, Monument National (Montreal) – 12.2007
Seussical The Musical for Carousel Theatre, Directed by Carol Higgins, Waterfront Theatre – 11.2007
Oliver for Alberta Theatre Project, Directed by Bob White, Martha Cohen Theatre (Calgary) – 11.2007
Living Shadows for Ruby Slippers Theatre, Directed by Brian Dooley, Firehall Arts Cetnre – 10.2007
Dirty Kissing for Box Clever Theatre, Directed by Iqbal Khan, The ARC, (Stockton, UK) – 10.2007
Swan Breaks for Robert Hilton Urban Classism, Choreographed by Robert Hilton, The Laban Centre (London) – 10.2007
La Vision Impure for Co. Vision Selective, Choreography by Noam Gagnon, The Dance Centre – 09.2007
Je, Tu, Il ou Elle for Anatomica Dance, Choreography by Serge Bennathan, Firehall Arts Centre – 07.2007
The One That Got Away for The Electric Company @ Magnetic North, Directed by Kim Colier, Soloway JCC pool (Ottawa) – 06.2007
The One That Got Away for The Electric Company @ Chutzpah Festival, Directed by Kim Colier, Vancouver JCC pool – 05.2007
Fish Eyes for Nightswimming, Directed by Brian Quirt, Cultch Historic Stage – 05.2007
Miss Julie for Lyric Stage Project, Directed by Michele Lonsdale-Smith, Beaumont Studios – 05.2007
36 Views for Actors Repertory Company, Directed by David Ferry, Berkely Street Theatre (Toronto) – 04.2007
Trout Stanley for Ruby Slippers, Directed by Diane Brown, Performance Works – 04.2007
YUFO for Theatre Replacement, Directed by Ami Gladstone, Perf0rmance Works – 03.2007
4 Horseman Project for Volcano Productions, Directed by Ross Manson and Kate Alton, The Theatre Centre (Toronto) – 02.2007
4 Horseman Project for Volcano Productions, Directed by Ross Manson and Kate Alton, GCTC (Ottawa) – 02.2007
Beggars Would Ride for Wild Excursions, Directed by Conrad Alexandrovitch, Waterfront Theatre – 01.2007
Killing Caesar for Touchstone Theatre, Directed by Katrina Dunn, Waterfront Theatre – 01.2007
A Christmas Carol for Vancouver Playhouse, Directed James Fagan Tait – 11.2006
Stones in His Pocket for Magnus Theatre, Directed by Mario Crudo, Magnus Mainstage (Thunder Bay) – 10.2006
Café de Chinitas for Mozaico Flamenco, Choreography by Oscar Niete, Norman Rothstein Theatre – 10.2006
Buried Child for Nicu’s Spoon, Directed by Stephanie Barton-Farcas, Axis Theatre (New York) – 09.2006
Troilus & Cressida for Bard on the Beach, Directed by David MacKay, Bard on the Beach Studio Stage – 07.2006
A Winter’s Tale for Bard on the Beach, Directed by Michael Shamata, Bard on the Beach Studio Stage – 07.2006
Terminal for The Theatre Lab, Directed by Amit Drory, The Theatre Lab (Jerusalem) – 05.2006
Vanishing Currents for Caravan Stage Company (Rotterdam), Directed by Paul Kirby
Terrible Things for Rumble Productions, Directed by Craig Hall, Performance Works – 04.2006
Desert Sunrise for Theatre for the New City, Directed by Misha Shulman, The Cino Theatre (New York) – 04.2006
The Leisure Society for Ruby Slippers Theatre, Directed by Diane Brown, Performance Works – 03.2006
The Bloody Clean up for Les Saints Theatre, Directed by James Fagan Tait, Cultch Historic Stage – 03.2006
Most Massive Woman Wins for Douglas College, directed by Cheryl Matheson, DC Studio Theatre – 02.2006
Vincent in Brixton for Vancouver Playhouse, Directed by Glynis Leyshon – 01.2006
Clouds and Soup for Noa Dar Dance Company, Choreography by Noa Dar, Suzanne Dalal Centre (Tel Aviv) – 11.2005
Peter Pen for Carousel Theatre, Directed by Carol Higgins, Waterfront Theatre – 11.2005
War of the Worlds for Vancouver Planetarium, Directed by Steve Bulat – 10.2005
Desert Sunrise for Theatre for the New City, Directed by Misha Shulman, The Cino Theatre (New York) – 10.2005
Poemas D’Alegria for Mozaico Flamenco, Choreography by Oscar Niete, Norman Rothstein Theatre – 09.200
Bonobo for Leaky Heaven Circus, Directed by Stephen Hill, Russian Hall – 08.2005
Hunger & Thirst for Haifa Theatre, Directed by Moshe Naor, Haifa Municipal Theatre (Haifa, Israel) – 07.2005
Deeds for Broad’sway Theatre Factory, Directed by France Perras, Beaumont Studios – 06.2005
Mental – The Musical for Vancouver East Cultural Centre, Directed by Fiona Hogan, Cultch Historic Stage – 06.2005
Seneca’s Oedipus for University of Haifa, Directed by Michael Rutenberg, Dr. Hecht School of Arts, University of Haifa, (Haifa, Israel) – 05.2005
Faith for La Luna Productions, Directed by Mercedes Baines, Shadbolt Centre for the Arts – 04.2005
Broiler for Theatre Replacement, Directed by Craig Hall, Performance Works – 04.2005
Alice – A Wonderland for Carousel Theatre, Directed by Carol Higgins, Waterfront Theatre – 04.2005
The Waiting Room for Ruby Slippers & Studio 58, Directed by Diane Brown – 03.2005
Lion in the Streets for Lilyfire Productions, Directed by Michelle Lonsdale–Smith, Studio 16 – 03.2005
Oedipus Rex for Douglas College, Directed by Stephen Drover, Douglas College Studio Theatre – 02.2005
Empty Orchestra for Theatre Replacement, Directed by Darren O’Donnell, Scotia Bank Dance Centre – 02.2005
Crime & Punishment for Neworld Theatre, Directed by James Fagan Tait, Roundhouse Arts Cetnre – 01.2005
Night of the Iguana for In The Company Of, Directed by Michelle Lonsdale–Smith, Festival House – 12.2004
Summer and Smoke for In The Company Of, Directed by Sarah Botsford, Firehall Arts Centre – 12.2004
The Secret Project for Firehall Arts Centre, Directed by Adrienne Wong – 11.2004
Unity 1914 for Douglas College, Directed by Cheryl Matheson, Douglas College Studio Theatre – 11.2004
Fear’s Physique for Link Dance, Choreographed by Gail Lotenberg, Yukon Arts Centre (Whitehorse) – 10.2004
Goodnight Desdemona Goodmorning Juliet for Magnus Theatre, Directed by Mario Crudo, Magnus Mainstage (Thunder Bay) – 09.2004
Killing Caesar for Touchstone Theatre, Directed by Katrina Dunn, Waterfront Theatre – 09.2004
Powers of Two for Modern Baroque Opera, Directed by Kate Hutchison, Scotia Bank Dance Centre – 06.2004
Valparaiso for The Virtual Stage, Directed by Craig Hall, Performance Works – 05.2004
Born Yesterday for Theatre NorthWest, Directed by Ted Price, Theatre NorthWest (Prince George) – 04.2004
Lend Me A Tenor for Theatre NorthWest, Directed by Ted Price, Theatre NorthWest (Prince George) – 04.2004
League of Nathans for Touchstone Theatre, Directed by Katrina Dunn, Cultch Historic Stage – 03.2004
Zastrozzi for Douglas College, Directed by Denise Kenney, Douglas College Studio Theatre – 02.2004
The Madwoman of Challiot for Studio 58, Directed by James Fagan Tait – 01.2004
The Underpants for Quick Change Productions, directed by Chris McDonald, Waterfront Theatre – 01.2004
In the Heart of the City for Vancouver Moving Theatre, Directed by James Fagan Tait, The Japanese Centre – 12.2003
The Laramie Project for Douglas College, Directed by Johanna Wright, Douglas College Mainstage – 11.2003
Hunted for Urban Ink, Directed by Maiko Bae Yamamoto, Waterfront Theatre – 10.2003
The Garden for Modern Baroque Opera, Directed by Kate Hutchison, Cultch Historic Stage – 09.2003
Fear’s Physique for Link Dance, Choreographed by Gail Lotenberg, Yukon Arts Centre (Whitehorse) – 08.2003
Maharaja’s Daughter for Urban Crawl, Directed by James Fagan Tait, Cultch Historic Stage – 07.2003
Chant Ouest for French CBC, Directed by Joelle Rabu, Waterfront Theatre – 06.2003
Pump Boys and Dynettes for Gateway Theatre, Directed by Howard Siegel – 04.2003
Electra for Douglas College, Directed by Denise Kenney, Douglas College Studio Theatre – 03.2003
Ilsa, queen of the nazi love camp for Perforated Productions, Directed by Jonathan Teague, Festival House – 01.2003
It’s a Wonderful Life for Carousel Theatre, Directed by Chris McGregor, Waterfront Theatre – 12.2002
Dragonfly Drinking for DFD Collective, Directed by James Fagan Tait, Roundhouse Arts Cetnre – 11.2002
Book of Days for Douglas College, Directed by Allan Lysell, Douglas College Mainstage – 10.2002
The Laramie Project for Studio 58, Directed by Diane Brown – 09.2002
The Company of Heaven for Theatre Crossing, Directed by Mark Burgess, Studio 16 – 09.2002
Season Finale for Youth in Motion, Choreographed by Donna Redlick, Shadbolt Centre for the Arts – 06.2002
The Birth of Freedom for The Virtual Stage, Directed by Alex Ferguson, Performance Works – 05.2002
The Hotel Play for Studio 58, Directed by James Fagan Tait – 03.2002
Set Design Resume
TBH for Capilano University, Directed by Stephen Atkins, BlueShore Theatre – 02.2022
Blue Box for Nightswimming (Toronto), Directed by Brian Quirt, Cultch Historic Stage - 04.2012
After Jerusalem for the Solo Collective, Directed by Rachel Peake, Performance Works – 12.2011
Falling in Time for The Frank Theatre, Directed by Sean Cummings, Performance Works – 11.2011
Beautiful Problems for Radix Theatre, Directed by Paul Ternes, Roundhouse Arts Centre – 05.2011
Jesus Hopped the A Train for Glass City Theatre, Directed by Angela Conrad, Pacific Theatre – 02.2011
The Labyrinth Project for Vancouver Moving Theatre, Directed by Varrick Grimes, Russian Hall – 05.2010
Assembly for Radix Theatre, Directed by Paul Ternes, La Chapel (Montreal) – 02.2008
La Vision Impure for Co. Vision Selective & Holly Body Tattoo, Choreography by Noam Gagnon, Dance Centre – 09.2007
Miss Julie for Lyric Stage Project, Directed by Michele Lonsdale-Smith, Beaumont Studios – 05.2007
36 Views for Actors Repertory Company, Directed by David Ferry, Berkley Street Theatre (Toronto) – 05.2007
Dirty Kissing for Box Clever Theatre, Directed by Iqbal Khan, The ARC, (Stockton, UK) – 10.2007
Lion in the Streets for Lilyfire Productions, Directed by Michelle Lonsdale–Smith, Studio 16 – 03.2005
Empty Orchestra for Theatre Replacement, Directed by Darren O’Donnell, Scotia Bank Dance Centre – 02.2005